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DECEMBER'S VIDEO PICK: Still sticking to the Hong Kong vein, this month's pick is EXPECT THE UNEXPECTED directed by Patrick Yau. I'm unfamiliar with the director, but it stars an ensemble cast of some of Hong Kong's best and brightest. Including Lau Ching Wan who did such an excellent job in FULL ALERT and Simon Yam of FULL CONTACT fame. Another police drama, in the vein of FULL ALERT, this is a well-told story of a closeknit family of cops hunting down a sadistic band of criminals. While not a flashy, stylistic film like the works of LAM or WOO it compensates with substance, with detailed fully fleshed characters, and an involving layered storyline. Great flick. A must see. One note about this director, he has a great eye for color, the movie draped in rich, lush tones, and sprinkled with red.  ***1/2  Get it today.

NOVEMBER'S VIDEO PICK: This week's Video Pick is Ringo Lam's FULL ALERT. Ringo Lam ,along with John Woo and Tsui Hark, is one of the directors that defined the HongKong Renaissance. Ringo Lam is the lesser known of Hong Kong's celebrated directors, perhaps because he does smaller more personal films. Rather than the fantastic scope of Tsui's films, or the screen shattering action of Woo's, Lams movies are more personal and straight forward dramas, with common themes of crime and the pursuit of justice.

His use of camera angles and framing and pacing making him the most advanced of Eastern directors, bringing scenes of John Ford like framing to Mean Street type stories. He is an exciting filmmaker, his films always addictive and compelling moments of time, he moves you at breakneck pace with the camera, while never sacrificing the brutal honesty, realism, and humanity that sets his flicks apart. In his flicks there are no blood ballets, you seldom need a thousand bullets, he shows you the damage of one, the damage of the idea of guns. And it lingers, his scenes of tortured violence. They linger. 

FULL ALERT showcases this sense of minimalist style, and subdued emotion better than his previous movies, showing a mastery of style and substance, and garnering nothing short of astounding, understated performances from his leads. Said to be inspired by Michael Mann's HEAT, FULL ALERT is a far superior movie, and far more compelling. Another winner from Hong Kong's most complete Director. ***1/2. A very hard movie to find, if you can't find it at your local video store, click here to buy or rent a copy today.

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Today's question of the week: "What's the real difference between a 31/2 star movie and a 4 star movie?"

A ***1/2 movie is a great viewing experience the first time, but 1) has some little drawback, a little slow in the middle, bad story twist, bad scene and /or 2)does not hold up as well to repeated viewing, and/or 3)is a movie that you have to be "in the mood" to enjoy. A four star movie, you never get sick of. You can put in any time, for the 100th time, and be as enthralled as the first time. Most of my four star movies are black and white, and were made before I was born, by men like Welles and Hitchcock. These are movies larger than the times they were made, these are movies that endure.

Having said that, it is still completely subjective. What you get out of a movie has a lot to do with what you bring into it? Your personal morality. I believe in heroes, the need for them, the need for outmoded ideas like right and wrong. So movies about people who hold the line, or straddle that line, between right and wrong, predator and prey tends to appeal to me. The western, the American Myth of it, appeals to me. That's why RESERVOIR DOGS gets a **** while PULP FICTION, which is clearly a more complete movie, only gets a ***1/2. RESERVOIR's structure of men bound by a code, and what happens when that code begins to fray I find a far more riveting viewing experience. It speaks to me.

While we're on the subject, TIM ROTH whose performance in RESERVOIR DOGS was nothing short of screen shattering, delivers perhaps the finest performance of his career in a straight to video movie called DECEIVER. If you haven't seen it run out to your local video store, and if they don't have it click here.**** not to be missed! Now onto the reviews:  

 

AKIRA **** APOCALYPSE NOW ***1/2 BACKDRAFT ****(underrated gem, Ron Howard's finest)
CASABLANCA **** KILLER****(Greatest Action movie of all time) CROW ***1/2
FOREIGN CORRESPONDENT **** HENRY V(1989-Branagh's Masterpiece)**** STAR TREK II:WRATH OF KAHN****(Nicholas Meyer is an incredible director! Directed this and #6.)
FULL METAL JACKET *** GHOST IN THE SHELL**** GLORY ****
PEEPING TOM**** PLATOON **** STAR TREK VI ***1/2
STAR TREK VIII:FIRST CONTACT ****(Johnathan Frakes directs! Great movie, Melville in Space!) STAR TREK I,III,V ** STAR WARS ***
EMPIRE STRIKES BACK ***1/2 SAVING PRIVATE RYAN ***1/2 UNTOUCHABLES ****
RETURN OF THE JEDI *** DIE HARD **** DIE HARD II ***1/2
DIE HARD III *** SUPERMAN ***1/2 SUPERMAN II ***1/2
BATMAN *** BATMAN II * A SIMPLE PLAN ***1/2(Great Book becomes a great movie!)
SHADOW * CROW II * MALTESE FALCON ****
MALCOLM X ***1/2 FIST OF LEGEND****(Remake of Fist of Fury! This one is better than the original! Simply unbelievable!! Tied with DRUNKEN MASTER II and PEDICAB DRIVER  for greatest Martial Arts movie of all time! Those fight scenes among the greatest ever captured on film.Jet Li is amazing.) EXTREME PREJUDICE ****

Walter Hill is one of the most underrated directors, and this is his most underrated movie. A masterpiece, not just of action but dialogue, great character actors. My favorite modern day western!"Hell, you can buy me Cash, you always could. But you can't buy the badge, and one without the other ain't no damn good!"

ENGLISH PATIENT ** HOWARD'S END ** LION IN WINTER ****
CLOSE ENCOUNTERS*** SHINDLER'S LIST *** DO THE RIGHT THING ***1/2
TITANIC (1998)**** AIR FORCE ONE ***1/2 BLAIR WITCH **
EXORCIST **** DEAD OF NIGHT **** ISLAND OF LOST SOULS ****
BLACK CAT (1934)**** ISLAND OF DR. MOREAU * STREETCAR NAMED DESIRE****
GONE WITH THE WIND***1/2 FIFTH ELEMENT *** THE THIRD MAN ****
(Greatest movie of all time)
ODD MAN OUT**** Directed by Carol Reed (who, with help from Welles, directed THE THIRD MAN) this movie was made in 1947, and remains fifty years later one of the greatest suspense movies ever made! Very small movie, low budget, shot mostly in the dark, but I'd pick it over every blockbuster Hollywood has. If you can only get one movie off this list, get this one!! A gem. MAGNIFICENT AMBERSONS****(Better than CITIZEN KANE! Welles Greatest!--after THE THIRD MAN) DRUNKEN MASTER II ****
PEDICAB DRIVER**** SEVEN**** RONIN ***1/2
EACH DAWN I DIE ****(Cagney tears up the screen with his performance, absolutely explosive. One of the greatest performances ever captured on screen. My favorite of all his films! Highest recommendation!) PAT GARRETT AND BILLY THE KID ***1/2 THE SEARCHERS ****
RED RIVER(Howard Hawkes) **** YOUNG GUNS **** WYATT EARP **
DANCES WITH WOLVES ** YOUNG GUNS II *** UNFORGIVEN ***1/2
DEVIL IN A BLUE DRESS ***1/2(Great book becomes a great movie.) HOW GREEN WAS MY VALLEY**** ALL THE KING'S MEN ***
MR. SMITH GOES TO WASHINGTON **** IT'S A WONDERFUL LIFE **** RAIN MAN **
FRENCH CONNECTION **1/2 CHINATOWN **1/2 DOUBLE INDEMNITY ****
GREED ****(I haven't seen enough silent movies to call this one the greatest, but if you've seen one better please let me know. Mesmerizing must see movie!) SWORD OF DOOM****(Greatest Samurai Flick ever, and I've seen them all. That last seen will haunt you long after you see it.) SEVEN SAMURAI ***1/2
BEAUTY AND THE BEAST**** MIMIC ** NEAR DARK ***1/2
VAMPIRE FROM BROOKLYN ***1/2 VAMPIRES **(Very dissapointing John Carpenter movie.) BLADE ***
BRAM STOKER'S DRACULA ***1/2 STEPHEN KING'S IT **** SCREAM **1/2

 

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