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Comic Picks for week ending 30 Jul 1999
THIS WEEKS REVIEWS
People always want to know what titles I'm buying from month to month, here without further ado is my semi-comprehensive list. Warren Ellis to my count is currently producing four monthly books, for Wildstorm the Superhero Saga AUTHORITY and the sci-fi series PLANETARY, for DC's Vertigo Line he's producing the horror series HELLBLAZER and the cultural rant TRANSMETROPOLITAN. To produce that kind of diverse output is Amazing in and of itself, but more Amazing is the high quality of each book. Each title is the pinnacle in its field, and its rumored he's working on two more titles for Avatar. Evidently Warren Ellis is in Race with Alan Moore to see who could write the most books a month. I don't see how either one of them can keep up both the quantity and the quality of the books they are currently producing, but as long as they can I'll be reading... and watching. Along with Garth Ennis on DC's HITMAN and Vertigo's PREACHER (click for review), and Kurt Busiek on Marvel's AVENGERS and Image Comics' ASTRO CITY, these handful of writers, these three Brits and one American are not just redefining the medium, they are the medium. Their output bringing readers like myself back, on a monthly basis, to a medium I had written off a long time ago. There are other notable factors riding this explosion of quality, steering it, DC's editorial decision to bring in writers from other fields (novelists, screenwriters) to script their NO MAN'S LAND Batman Stories is paying off in terms of quality, and trade compilations. However I still don't buy monthly Batman Comics for the simple fact there are too many of them, no way am I going to buy between 4 and 7 different titles to get one story. If the story is great, like Bob Gale, Alex Maleev, and Wayne Faucher's work on NO MAN's LAND, it will eventually be collected in a trade. And I can wait. Click here to read more of my ranting, otherwise get to the reviews.
BREAKING NEWS!!! Effective with issue 143 Warren Ellis has resigned from Hellblazer. Here's the short story: Warren wanted to tell a story about the rash of youth violence in the heartlands, executives at DC pulled a "Buffy", Warren walked. For the long story click here. Brian Azzarello of 100 BULLETS fame is slated to take over for Ellis.
Case in point I received the new Batman trade, NO MAN'S LAND: NO LAW AND A NEW ORDER in July and I have to say I was pleasantly surprised. Written by Bob Gale (Screenwriter for Back to the Future), and drawn by newcomers Alex Maleev and Wayne Faucher, NEW ORDER is quite simply the best Batman Story I've read since Miller's Batman:Year One. The storyline goes something like this:
I really liked this story, as you can tell by my impromptu writing (Please Dennis, no begging, I'll write an issue for you). It grabs the imagination, call me crazy but I think this would make a great movie. But whatever you do don't get Joel Shumacher to direct. You want to do a movie about a Dark Knight, you go to a director who has proven himself in the Darkness. David Fincher, Baby. Now that would be a movie. This is a great story, look for it to make my best of the year list. Received quite a few books the same day, the 4th issue of Warren Ellis' Authority, Muth's CROW #6, Alan Moore's TOP 10, but Bob Gale's A NEW ORDER blew them all away. It's so rewarding to know that when the chips are down, there are still American's out there who can still do it better than anybody else. Who can still bring the wood. Highest Recommendation.
The artwork on the first issue was done by Eric Dean Seaton, and the art had its moments like the full page pictures of Night Hawk, but as a whole it was too rough for my liking. However it looks like Eric Stanton has already taken steps to fix the art. On this page are samples of Patrick Blaine's work and quite simply this guy's work blows me away, very seductive and vibrant. Very sexy. I've seen Blaine's work before ,and after, being inked by Andy Owens, and it looks much better before. Blaine has very detailed drawings, highly complex
shading, and a lot of this But with Blaine onboard, the art is no longer an issue, it's definitely top notch work. However we are still left with the larger problem of the dialogue. I think the story, the premise for the story, is great, but the dialogue isn't. it doesn't ring true, it comes out forced and contrived. Not everyone can write Dialogue, as Image Comics quickly learned in it's early years. But the creators were smart enough to put writers on their books. Liefeld put Alan Moore on Supreme, McFarlane was smart enough to put Paul Jenkin's on Spawn. And I think for PROPHESY OF THE SOUL SORCERER to survive Eric Dean Seaton needs to learn from others mistakes and get himself a writer. I really think Eric Dean Seaton is onto a great story, a great mythology, much like McFarlane's SPAWN, but for the mythology to take hold he's going to need a writer. My recommendation for this book: pass. But don't write this comic off, If they can get a writer for it, we might just be hearing the name Arcane Comics, sometime in the future.
Well that's it for this go around, stop in next issue as we bring you more reviews than you can shake a stick at. And please remember to drop us your comments.
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