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Comic Picks for week ending 25 Sept 1999
THIS WEEKS REVIEWS
Feature Story: THE FIRST LADY OF COMICS Here's our growing Archive of MUST READ reviews
People always want to know what titles I'm buying from month to month, here without further ado is my semi-comprehensive list.
But a rash of recent comics gives me faith that the recent renaissance and resurgence spearheaded by British writers/comics (see 1 below) is being fanned and kept alive by good old American talent. Books like Kurt Busiek's ASTROCITY and AVENGERS continues to push the envelope of solid storytelling, producing stories reminiscent of the Glory Days of Comics. Christopher Priest's BLACK PANTHER is simply outstanding, using unorthodox narration and free association to create stories both compelling and complex (Kudos to the Marvel Knights team of J & J, now if they could only do something with all those mutant books like getting rid of em).
And one cannot mention Vertigo without mentioning the man whose controversial story, and very publicized clash with DC's editorial restrictions gave birth to the Vertigo Line. I'm speaking of course of Rick Veitch, of SWAMP THING, BRATPACK, MAXIMORTAL fame, one of the true pioneers, the true greats, in the field of comics. If you have any doubts pick up Maximortal, he touches on so many concepts of theology, technology, humanity, biology, history, altered states, Einstein's Unified Field Theory, social construction of reality, Ideas I feel are hugely relevant to today, and he tackles all this in what a lot of people still call a kiddie book. Issue #4 of Maximortal might be the single finest comicbook ever, it's definitely in the top ten. So after years of not seeing his name attached to anything I was glad to see him working for Todd McFarlane's line of Image Comics. CYGOR a book about an 800 pound escaped cybernetic gorilla with the soul of a child, would have been incredibly stupid, incredibly absurd done by anyone else, but done by Veitch (who has made a living on the absurd) it becomes horrible, and haunting, and more than a little touching.
It's really a good time to become acquainted with the medium, a good time to test the waters, because I think no matter where you're coming from or what your preferences are you'll find something in today's Market to appeal to you. Something to make you laugh out loud like PREACHER #55, or move you like STRAY BULLETS #2, or awe you like JLA #14, or maybe simply endear you like AMERICAN SPLENDOR. The market can do all that and so much more, it can provide you ,at the worst, with stories that entertain, and at its best... with stories that inspire. Stories with pictures, and floppy pages that do what all the best stories do, stories that make us think about who we are, and who we aspire to be, stories that for a little while at least... broaden us. I envy you, if you're an old reader coming back, or a new reader who has never looked past the newsstand exploits of mutants, I envy you. Because you get to enter a brave new world, of dangerous visions and bitter fruit, a broader world. Still rife with problems... yes, still beset with crap... yes, still filled with merchandising and marketing ploys... yes, still a sinking ship...yes, but my God the people you'll meet on this ship, the stories you'll hear, the faces you'll see. My God if you've got to go down, my motto is go down with the best. With images that haunt, and people that burn. So what are you waiting for, it's not often that a person can say they lived through a Renaissance, experienced it. Not many of us can say we knew Siegel and Shuster, we knew Jack and Stan, not many of us can say we were there when something historic was being made out of this childish medium. Something not too far... from art. Not many of us can say we were there then, but maybe, maybe you can be there now. How? Simple. Enjoy the work, support the work, support the creators, and write. Sometimes a word is worth more than a dollar, sometimes it lasts longer and sometimes it means more. Enjoy.
Well that's it for this go around, stop in next issue as we bring you more reviews than you can shake a stick at. And please remember to drop us your comments. 1-Actually the origins of this latest Renaissance can be traced to Mark Waid's and Alex Ross' KINGDOM COME[the collected edition]. This was the landmark work that brought old fans and new back to a medium we had written off, brought readers back looking for quality work, much as Miller's DARKKNIGHT and Moore's WATCHMEN did in 1986. However, the difference is back then the market really had nothing to follow up those books with, and the interest that was building stalled and died. Now the market has one exciting product after another, one magnificent creator after another,and the quality of the comics being produced is the highest it has been in the history of comics. So the work is definitely out there, the books are definitely out there, it becomes our job now to simply introduce this great work, that is as good as what Stephen King is doing, as good as what Lawrence Block is doing, as good as what Walter Mosley is doing, and introduce it into mainstream culture. We have to get out of our segregated mentality of Direct Market Comic Shops, get out of our shell, and go where the people are, advertise where the people are, partner where the people are, and the financial support will come, the people will come..people always come... for the best.
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TIMES Please E-mail to: heroictimes@hotmail.com
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